WENTZ’S TOP SIX SECRETS FOR MUSIC LICENSING. As a composer or songwriter, you can license your songs or music cues to any music user for a fee. Synchronization and master use license fees are generally determined by various factors, including how the music will be used, the duration of the use, the number of times the music will be used and where the film or media will be performed. In a film, the fee would be $10,000 in perpetuity. The typical range for a well-known song is $75,000 to $200,000 for a one year national usage in the United States, on television and radio. Commercials fetch even more money: "a song can command anywhere from $25,000 to $500,000 plus per year. In consideration for this Agreement and the rights licensed hereunder, Licensee agrees to pay to Licensor the sum of one thousand dollars ($1,500) for the synchronization right and one thousand dollars ($1,500) for the master use right. He is the owner of The Music Kitchen and Audio Addiction Music Library, a production music library with worldwide distribution. Joe Songster and Julie Lyricstein, 1120 Maple Lane, Santa Monica, CA 90405 (“Licensor”). It lists all the compositions, their durations, the writers and publishers, their PRO affiliations and splits, and the type of usage of the music. Just 17% had licenses for playing music publicly. They hire a friend of theirs to sing the song who is a highly sought-after session singer. Video streams require a synchronization license. For example, if Verizon wants to use AC/DC’s song “Back In Black” for a TV advertising campaign, it has to get a sync license from the publisher(s) of the song. All plans allow commercial use and covered by the same licensing agreement. Under the Umbrella License you’ll find a wide variety of movies, TV programs, and other content. They work hard on the song, which is a pop song called “Sync Me Up” and make a great sounding track suitable for broadcast. I doubt it will go theatrical. A song that is featured and plays a key role in determining the emotions and mood of a scene will likely have a higher value in the director’s mind. Building a video editing app that needs music, a music streaming app, or need to stream / broadcast music in a public place of business? Who Do I Pay for a Movie License? Having 100% of your writer’s royalties equals 50% of the pie. The CCLI Streaming license allows you to stream or podcast your live-recorded worship service music on your church’s website or other streaming services. “Videogram” shall include any and all audio and visual devices whether now known or hereafter devised, such as video discs, video cassettes, DVDs, and all similar compact audiovisual devices. Then they will price out any songs or material needed from “name” acts or artists. You need to have ownership or control of the publishing if you want to license your music. Basically the document authorizes you to act on behalf of all the writers in negotiating license deals. When you create a new original work and record it, you are the owner of the composition and the sound recording. Licensor represents and warrants that it has the full right, power and authority to enter into this Agreement, and that it is not currently and will not be during the Term of this Agreement, subject to any obligation or disability which will or might prevent or interfere with Licensor fully keeping and performing all of the agreements, covenants, and conditions to be kept or performed hereunder. A standard non-exclusive library agreement is the library collect 100% of the publishing, and usually 50% of sync. is about a band trying to make it in the music business. As I frequently write, making money with your songs or music compositions isn’t easy. To understand how royalties are divided, think of the total royalty monies available as a pie. All notices shall be in writing and shall be addressed to the respective party at the address set forth above, or to such other address as may be designed in writing. Both Julie and Joe think the song could be a hit, and Julie works hard to place it in a TV show or film and create some income from it. In no event shall Licensor’s total liability exceed the amount of consideration received by Licensor hereunder. Part of the problem is that aspiring songwriters and composers usually don’t know much about the music business and don’t know the avenues available to them to create income from their work. Check out my complete list of music business articles: First off, licensing your work involves knowledge of copyright; for a short guide see this article: Music Business 101: How to Copyright Your Music (For Composers & Songwriters). A purchaser has limited rights to use the work without a separate agreement. Licensee will notify Licensor of each claim to which the foregoing indemnity applies promptly after Licensee has been formally advised thereof. All rights of every kind and nature in the Composition(s)/Recording(s) not specifically granted to Licensee in this Agreement are reserved by Licensor. Licensor agrees to indemnify and hold Licensee, its parents’, subsidiary’s, and affiliated companies, harmless from and against all loss, liability, damage, cost, and expense, including reasonable attorneys’ fees, of every kind or character suffered or incurred by reason of any breach of any representation, warranty, or agreement made by Licensee in this Agreement. Once all the business aspects are taken care of, Julie can focus on marketing and placing the song. If yes, do you happen to know if there is some sort of template for this? 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